“If The Ramones and Miles Davis had a baby”
Hi! Thank you very much for stopping by, and welcome. Inside this site you’ll find a variety of music. I front two main projects and provide several music services. Whether you are looking for music for an event, private or corporate, formal or informal, or you’re an artist booking live performances or recording sessions, I know I can help you fulfill your needs or reach your goals. I am a guitarrist singer-songwriter and violinist trained in jazz and classical music, with more than twenty years of experience in many styles, including swing, jazz fusion, classic rock, alternative, metal, pop (melodic and top 40), R&B, dixieland, lindy-hop, Cuban salsa, son, boleros, bachata, reggaeton, mariachi, chamber music, symphonic repertoire, baroque, and others.
I also provide guitar lessons, play children music, and I have performed in Broadway-style production shows. I hope you have time to browse freely and that here you’ll find what you’re looking for. If you have any questions, please don’t hesitate to send me a message via the contact form. As a final note, I wish you’ll have an enjoyable experience through this website, which has been designed, coded, and maintained entirely by myself, yours truly, Omar Haddad. Make yourself at home! Sit back, relax and enjoy the show.
THIS is my original music project, the rock band playing my songs, and I call it “THIS” because music is best experienced for what it is and can’t be put in words. So when I play I want to forget everything I “know” and just play. I want to encourage the audience to have this experience as listeners too, and that’s what the name “THIS” is there to do.
THIS is centered around the spirit of classic rock and roll and draws elements from many different styles, such as metal, alternative, funk, pop, jazz, and even classical music. Starting in 2010, THIS has been playing in many NYC music venues. This video is a compilation of a live performance at Pianos, one of the city’s most popular ones.
Video Credit: John Marton.
As a solo guitarist, I improvise three-part arrangements of jazz standards, playing bass lines, chords, and melodies at the same time. In solo guitar playing, every part of an arrangement—melody, chords, and bass—is meant to have its own character, so the piece sounds as if played by a trio or duo instead of a single, busy sounding instrument. Once the skills for chord-melody voicing have been mastered, this framework for solo guitar improvisation is driven by the intuitive mind, allowing for spontaneity and organic flow.
I would like to mention that, like many others, I have been deeply moved and influenced by the late, great solo guitarist Ted Greene. You are welcome to read my post about him, “Ted Greene: The Legacy Lives On,” a review of his innovative solo performance technique and his contributions to jazz guitar and music education. You’re also welcome to read the positive mention of this essay by Greene’s own community of students and friends, and I have also recorded a rendition of a fantastic arrangement of “Danny Boy” by him from his 1977 Solo Guitar album, displayed here. This rendition has also been published on Ted Greene’s website, where it’s been commented on by the community, and you can watch it there too. I hope you enjoy it.
In February of 2014 I was very fortunate to meet producer and radio host Lamon Fenner as he was watching a public solo jazz guitar performance of mine. Lamon was very friendly and generous, and he invited me to be in WHCR 90.3 FM, “The Voice of Harlem” for his radio show, “Lamon’s Jazz Break at 8,” where I was lucky to have the opportunity to talk about this project and my infulences in it, including Ted Greene. The interview is available right below. I hope you enjoy it!
It is interesting how, in solo guitar settings, playing jazz arrangements helps playing classical music and viceversa, partly because sometimes the role of the bass is similar in both styles. As part of my solo project, I perform baroque works on electric guitar, mainly featuring lute pieces by Johann Sebastian Bach, such as the full suite BWV 996, part of which is displayed right here. I hope you like the sound of the electric guitar on 400 year old music! Exploring these combinations is always fun, and there’s always some rethinking of one’s own technique or of the piece, or of both, to make a good adjustment between the instrument and the composition. In my essay “The Transcription Process in the Music of Johann Sebastian Bach” I explain this procedure in more detail. I hope you enjoy that too, and I would like to thank guitarist Oren Fader for his great help adapting the lute works to electric guitar.
“With sounds that are born in jazz and fuse into the classical, progressive, and latin realms, this ceremony is an invitation to rejoice in sound and surrender to the flow of music.”— Alejandro Do Carmo, on Film-Song, Buenos Aires, Argentina.
Ceremony is my debut album of original music, a project shared with pianist Diego Ruiz and recorded in Buenos Aires in 2007. Ceremony’s compositions are instrumental and follow the traditional jazz format, drawing elements from jazz, impressionism, rock, funk, Argentinean folklore, and contemporary music among other styles. Our goal for both Diego and I was to create an album with musical variety and space for improvisation, interaction, and collaborative work. We hope you enjoy it!
Besides music, I love acting too, and I've had experience in it, creating a secondary parallel career. I have been in film and television playing character roles, and I have done commercials and shoots too. You’re welcome to view footage demos and you may visit my actor page at IMDb.
I have taught private students in guitar since 1997, violin in 2003 with the International Suzuki Method, and jazz ensembles in 2003, and I have experience in several of NYC’s public schools and private music schools. This has enabled me to write A Comprehensive Course for the Guitar Apprentice, my forthcoming book.